Thursday, September 15, 2011

Your Family as Art - Creating Bead Patterns

(copyright 2011 - Louise Godfrey - All rights reserved)
My Grandma, Elsa M. Carlson
(created for peyote stitch)

One afternoon, I got out the scanner and thought it would be interesting to take some of the vintage family photos and old postcards and put them on my computer to "play" with them.  Using the bead graphing software I had purchased (I am looking for one now that is easier to manipulate and has better customer support than BeadCreator), I downloaded my grandma's photo from the 1920's and was astounded at what came up. 

The graph above, shows exactly what the photo would look like as a bead mural.  Getting excited, I also downloaded a photo of my uncle, Gus Gustofson, who was a drummer for Woody Herman, Les Brown and many other Swing and Jazz greats.  This photo was taken during the Korean war....

This was created for a loom.
"Uncle Gus" - copyright 2011 - Louise Godfrey - All rights reserved)

It got me to thinking about what great and definitely unique presents you could make for special events, such as weddings and birthdays or for a very intimate, special gift.  But that wasn't all...

I realized photos of all kinds of thing could become a bead graph!  Here is one that I took of the Eiffel Tower at "The Paris" in Las Vegas.

The Paris   (copyright 2011 - Louise Godfrey - All rights reserved)

This one I played with on PhotoShop first to get just the right effects in color and saturation before downloading it to the bead graph software.....and again with "Painted Desert" , below, a photo of the Black Rock Desert near Gerlach in Northern Nevada.

Lake Lahontan    (copyright 2011 - Louise Godfrey - All rights reserved)

The options are endless...all the way from creating something in a size 15 bead for a Christmas or window ornament to huge murals!

If you are a bead artist that has a favorite bead graphing software, let me know.  I'm dying to try one that is recommended by another fellow artist instead of just going by the advertising out there.
 

Monday, September 12, 2011

Vertigo

"Vertigo" 2006 - Copyright - Louise Ann Stowell - All rights reserved

The day that I came up with the concept for this picture, I had just gotten through watching the classic Hitchcock movie, Vertigo.  Jimmy Stewart and Kim Novak were sensational.  The location of San Francisco in the 1958 took me back to when I was a kid being taken by my Dad and Grandmother all over the city.

I have a fear of heights that I have tried to get over since I was in junior high.  I could understand the problem Jimmy Stewart was portraying trying to deal with climbing up the Stanford clock tower.  I went to Coit Tower in 2008 and went up the overly packed elevator up to the top.  I was fine until I got to the window and saw the coins laying on the sill ledge and then my eyes traveled past the ledge to the concrete below. My breath hitched in my throat.  Pure terror!   Back up against the inside wall, it took everything I had to remove my clawed fingers from the plaster, to pose for a picture with my former husband, Tony, standing with our backs to the window.  I felt like I was going to tip over and out the window, even though I knew it was impossible due to the heavy Plexiglas covering it. Breathe...breathe, focus on something...oh, look at the big circle of open space above me.  Nope!  Gotta get down...NOW!!!

Vertigo was fun to put together and play with. It was originally composed as a photo using graph paper and a clothes hanger hook. The graph paper was turned from a positive to negative.  I then placed a photo on top of it and began copying it and digitizing it in PhoroShop, layering the pattern, Next I printed it on matte paper and added lines with chalk/pastels and rubbing wet fingers to smear out lines.  It was much more fun than the few minutes atop Coit!

Friday, September 9, 2011

Musee Mechanique Woodcut Stamps

Copyright 2008 L Stowell. All Right Reserved.

Framed by the Golden Gate, the Musee Mechanique is every bit as much a golden treaure as the arches greeting the bay.  

This was a piece I created in 2008 after a trip to San Francisco and to the Musee Mechanique.  I turned several of the photos I took there into a series of old tyme woodcut looking "stamps".  This piece is a combination that I originally published on my old blog Breathing Thru My Eyes.

I love the uniqueness of the old Musee that was formerly located under the Cliffhouse...the peeling yellow paint on the building, the clapboard sign that stood in front of  it and the old hanging sign.  It had the feel of an older time.  The smell of the blowing salt air coming in from Ocean Beach and the taste of the salt water taffy from the little gift shop above took me back to the years that I spent playing in the Arcade at Playland.  Many of the the Musee's games came directly from there, others were from the Sutro Bathes and Museum, which is sadly now is nothing but ruins below the Cliffhouse.  I will be featuring many of the other photos and art pieces I have made from that trip in later blogs.

The piece was taken from individual photographs of each of the four machines...Laughing Sal, Grandma Fortune Teller, the Monkey Orchestra and Jolly Jack the Sailor (still very creepy to me!)  I used PhotoShop to drop the color to a black and white.  Next, I texturized the photos giving them the "woodcut" look.  I then took a photo from when I had passed in our car under one of the beams of the Golden Gate Bridge.  I split the photo, mirrored it and used it to create the framework around each of the "Stamps".

The relatively new location for the Musee is located at:

Pier 45 Shed A at the end of Taylor Street
Fisherman's Wharf
San Francisco, CA 94133
Tel: (415) 346-2000
If you have never been there, it is definitely worth the trip...and make sure you take your camera!  There are so many things to photograph inside besides the machines.  The cases are handsomely decorated with woodcarvings and old brass work that deserve attention as well.  You are also located right at the north end of Fisherman's Wharf, which is an area that is so rich in photographic treasures it's unreal.  Make sure to pick up some ephemera from around the restaurants, aquatic museum and other places you can visit to add to your projects.  Have FUN!

Thursday, September 8, 2011

Back in Business and "Vamp"ed to Prove It!!

"VAMPED" Copyright 2009 - Louise Ann Stowell - All Rights Reserved
Back in business again and grabbing all the stuff that fell out of my baggage... what I've lost, scattered, gleefully flung or neglected along the way. 

I'm feeling a little mean in my artwork right now...frustrated and pissed off.  Trying to find a full time job to pay the bills is proving to be frustrating.  Not helping my mood...Nope!  Not at all. 

So "Vamp" is what I decided to start my blog out with.  I have also featured some of my work on Altered Art on Facebook and on my own Facebook Page.

What I don't have room to put there is the poetry and stories and off the cuff rants that I have been accustomed to doing on "Breathing Thru My Eyes," my old blogspot site that for some reason I can no longer access and Blogger can't seem to authorize me for. 

Weird...

but then if you know me, you know that nothing in my life since conception was average or normal.  No one would believe me if I wrote my life story down...different sets of coincidences (which, by the way, I do not believe in...but there you are) circumstances, exasperated inspirations, different sets of values and ethics throughout my many reincarnations...bumping along people like walls in an underground and picking up bits and pieces of them as I stumble along the echoing tunnel.

"I'm like that black crow flying
in a blue, blue sky..."
Joni Mitchell  - "Hejira" album

The one thing that hasn't changed in me over the decades is my need to create.

I get moody and anxious, pacing from room to room, thumbing through well worn favorite books for little underlined fragments to set my mind free and my hands busy getting sticky in paper, mediums and paint.  I'll sit down and then get up moments later to pace again....waiting for those scraps to get thrown through the either at me.  The cosmic zookeeper fairy gets a little tardy sometimes in feeding her animals.  I silently rage and roar for my meal...it comes...eventually.

"Vamp" is a postcard in a series I have created dealing with women's emoitions and studies.  She was made from standard watercolor postcard stock, old clippings, and Conti dry pastel backgrounds with a PhotoShopped finish for textures and sharper color effects.

  Ah, Paris

 Hung Jury

 Ornament


 Exiled

 Ghosts

 I would like the...

  Chronicle


Signed, numbered prints of  "Vamp" , "Women's Spirit" (the top title artwork of the blog)  and others are available as 8 x 10 glossy or matte finish.  They are on a limited print run of 100 each.  Pricing details are coming soon!
Thank you for visiting and I hope you'll come back and share your comments and suggestions.
And to the "Archangel"....Michael...thank you for the inspiration as always....







Playing Ditch at Playland-at-the-Beach - Revisited

(I wrote this story which was originally published under my old blog "Breathing Thru My Eyes", November 13, 2008.  It is a true story.)
It's too bright. The sky is lit with bits of frost and brilliant blue. Turning away, my mind goes to street scenes in grayscales, rain and the slick, sleek green and red of traffic lights blazing on water-darkened asphalt. Wet concrete, diesel and coffee blend in an pungent aroma taking me back years....

The beach was closed. It was a weekday and I had transferred onto the No. 18 Sloat, passing my junior high. I rode it out to La Playa and was the only passenger stepping off at the end of the line. The black bus driver stared at the girl in the lilac suede boots and crushed velvet maxi coat stepping off the bus. He had to wonder what I was doing at a closed amusement park, knowing I had ditched school. The driver got off the bus behind me, lit a cigarette and headed across the street to the cafe. I was alone.
Slinging my big purse over my shoulder, I walked toward the Merry-Go-Round. It was shuttered up and quiet. The loud calliope music and organ tunes, silent. The strings of lights that hung between the Merry-Go-Round building and the fun house swung forlornly in the clots of fog and wind. In the gathering gloominess, I walked down the alley towards Limbo. Thickening fog made corners soft and shadows deepen. The whole lane ahead of me was blanketed in moving mists and shadows, tricking my eyes into thinking I'd seen someone moving stealthily among the buildings and abandoned rides. White skeletal arms lay crossed under the giant grinning skull of the dark ride, while skeletal angels flew over a dreary picture window landscape behind. Doll heads and fake campy tombstones..."He Stood UP!"... took on an ominous feel. The place was different and I wondered why I was here.

...suede boots darkening on the edges of the soles where the puddles I so carefully avoided were seeping in...seeping in thick and sticky, sliding down into the chinks and crevices inside my mind. It moved so slowly below the icy feeling in my toes that I was unaware of the progress that it was making; shifting and changing me in ways I didn't realize. The salt air mixed with wind and fog and crystallized with tiny grains of sand. It clung to everything it touched...grimming the windows in an almost hopeless coat of grit that would need to be scrapped away before even trying to wash it. My finger traced patterns in it on the fun house window...mocking Laughing Sal...daring her to make me stop. She just stood there... silent, freckle faced and gap toothed, head cracked at the neck as if she had been mugged. Stood there next to the odd, bug-eyed, beany capped creepy dwarf that was her window companion. The balancing clown around the corner, looked away. The walking charlies, frozen and riveted on their geared windmill posts...moved ever so slightly in the freezing salt winds blowing across the Great Highway.

My finger circled larger, clearing the window of the greasy sand. It was dark behind Sal. Moving up the sloping walkway and under the eaves, I climbed rather clumsily over the turnstile, pressed my hands to the glass on the door and peeked. The door creaked as I leaned on it. Looking down, I found the chains hadn't been secured and I was fighting the urge to trespass and see if I could get inside. Looking behind me toward the bus stop, I saw that the bus and it's driver had gone. No one in any direction.

Like an idiot, I found myself knocking on the glass. No foot falls. No noises from within. The wind was howling and it began to rain. What the hell! I grasped the red painted door and pulled. Slowly it opened. It was heavier than I had imagined it to be. I slipped quietly inside on tiptoe so my heels wouldn't alarm anyone inside to my presence. The wind had shifted, slanting the rain and making it tap on the windows. It poured off the old roof in streams. The sound of wind and rain roared and rushed, sending a shiver racing down my spine that I had never gotten in the place before. Then again, I had never been in there alone and in the dark.

Edging past the entrance to the gingerbread dowling of the mirror maze, I realized I would have to move quickly in case someone spotted me from the outside. Could I remember my way through it in the dark? Everything looked so different. I fought a momentary grip of panic in my stomach. Closing my eyes I felt the rush of exhilaration at having the place to myself, to explore as I liked without detection...hopefully. I dashed through, right-left-right-right, and then left. I found myself before the huge rollers. Normally, they were rotating in colorful swirls, polka dots and zig zag's on their over-stuffed bodies. I had to fight my way through them, more difficult now because they weren't moving. Struggling over the last of the three layers of rollers, I finally freed my purse and myself and walked, boot heels clicking, into the darkened main hall. My footsteps echoed on the old wooden floors. Nothing moved. The Fun house operator's booth was unmanned. No one was here.

I wondered if I shouldn't have barred the front door somehow to make sure I would be safe....but then, if someone had been here...?

Don't think about it. You'll freak out.

The thought of being locked in this of all buildings...with someone else I didn't know... inside...with me...don't think about it.

But...what if I do get locked in?

The steeplechase horses looked sad and forlorn. Looking to my right, I could see the two, tall, skinny, crazy staircases that normally slid either to and fro or side to side. The red one was tilted sideways at an insane angle, disappearing into the darkened gallery above. I didn't like that one even on the days the place was running. I used to have nightmares of falling from it. Best to save the climb for later when I was through exploring down here.

Instead, I walked the wavy boards of the uneven floors, for once not getting hit with the random shots of air coming up through the deliberate holes in the floor. They shifted under my weight crashing and creaking. I stood looking out the window now, behind Sal and saw the the rain was coming down in torrents. Headlights from a couple of passing cars bounced crazily through the old fashioned glass windows...accenting the bubbles and swirls in the glass on the floor in a weird witch's brew. The reflection made Sal look like she was crying, but no tears dripped from her face onto her faded blue coat. I moved away.

Walking over to the operator's booth, I peeked in at all the levers and lights on the control board. The mystery was gone of all the shooting air, noises, bells and whistles was gone. Hmmmph.

I skipped through the barrel, which had always made me sort of sick when I had been in it. The giant spiral-painted inside walls made me think of a huge, striped soda straw lying on it's side. I remember my friend, Tammy standing with her hands plastered against its walls as it turned her upside down in a stationary cartwheel. Across from the barrel was the disc, we had called it the record player. It sat still and empty of riders.

Suddenly, I felt sort of weird...watched. Looking out ahead of me and turning behind me, I saw no one, but the feeling of being watched was still there. Quickly, I dashed to the side of the large wooden slide and pressed myself up against a corner wall, peeking out. Quiet, listen. Nothing out there...no sounds but the wind and creaking of the building. Could someone be in the shadows upstairs? Surely, I would have heard them!

Moving back out from my hidey-hole, I cautiously looked up to the second floor, almost directly above me was one of the huge hanging blocks, part of the fun house decor. There were three total, suspended by a corner edge of the block from the ceiling. On each side was a clown face. The clown faces were mechanical so they could move their mouths, blink, and roll their eyes. They were creepy when the place was lit up and you were surrounded by people. Now, they were hideous in the gloomy light, the disembodied white face leering down at me in a silent, open mouthed scream. I was both relieved and now frightened. What the hell was I thinking? No one knew where I was. Grandma had surely gotten a phone call by now from Mrs. Smullens in the Principal's office.

Hey, you're here now...look around. You are probably not going to get in anymore trouble than you're already in. I grabbed a potato sack, pulled off my boots and climbed the stairway to the top of the slide. It got darker as I climbed...the top in total darkness. I could here the rain beating on the wall beside me...and something else...a scratching coming from the wall as well. No, in front of me...the top of the stairs. God! Rats! Gotta be a rat, right?! Jeez! A huge, big freakin' rat from the sound of the scratching.

I turned and ran as quickly as I could down the stairway, flinging the potato sack, I grabbed my boots and sat on the bottom step of one of the crazy stairs. One boot clutched by the top in my fist, I could bash whatever it was with my boot and then, hopefully, get the hell out of there. I waited. Nothing. No rat. No boogie man. God, I am feeling so stupid!

Ok, my imagination was getting the best of me. I put my boots back on and decided to climb the staircase up to the gallery. I flung my purse around my neck and with both hands on the railings, I descended. I hated heights and still do. I had to force myself not to panic halfway up and look down. Making it to the top, I stepped over to the long bank of windows. Above the fun house mirrors and rows of box illusions, were windows. Oddly, the second floor gave the illusion of being darker when you looked up from downstairs. It wasn't. I could see the runnels of window grime mixing with bits of gravel and debris floating with the rain from the roof down to the pavement below. It was after all, November.

Moving to the walking charlie's, past a frozen Maggie, a rolling pin raised in her left hand, ready to strike her smart-assed, macho-mouthed husband, Gigs, in their mechanical display kitchen. I pushed the button and waited for them to move. They didn't. I guess I hadn't really been expecting it.

I stood behind the Walking Charlie's now. I couldn't clearly see the Cliffhouse. Dimly, the outline of Seal Rocks could be made out, shrouded in fog and ocean waves. The waves were really high, crashing against the sea wall, where we had hung in the summer. The foam and spray flew up at least five feet in the air above the wall. I was hypnotised by the weather outside. The rain slanting down against the large blue, yellow, and red stacked-box looking decor of the cafe and penny arcade across the street. I could see the Mad Mine beyond and the weird op-art painted "Tilt" next to it. The dark, diving bell stood on it's perch above its water tank. The only lights I could see were from the street lamps, the cafe where I bought soft-serve cones, and the distant Cliffhouse. Somewhere beyond Lincoln Park, the sound of the fog horns by the Golden Gate Bridge blared their warning to the ships entering the bay. I couldn't image being out there on a ship in this weather. I remembered suddenly where I was and that I wasn't supposed to be here, either.

I turned and came face to face with a figure, tall and hideously out of proportion. It loomed up, intimately close to me and I shrieked. It was another fun house mirror...a couple of them, actually. I hadn't remembered them being here in this spot the last time I had come. I guess they had moved them since then. Either way, I had almost peed my pants, I was so scared. My heart was racing and pounding. No, I had to leave. Exploration time was over. I needed to face the music.

I made my way to the front door and noticed the padlock for the chains lying on a ledge next to the exit door. Perhaps the operator had forgotten it there in his haste to get home the night before. I grabbed the open lock and pushed my way through the revolving bars. I was outside and getting completely drenched. Running up the ramp to the front door, I pulled the chain together and clicked the old Master lock shut. No one would be the wiser. Turning around, I ran into a chubby, middle-aged guy wearing a water-darkened, grey raincoat. His cigar was feebly trying to stay lit in all the wind and rain. His pork pie hat was drenched and flopped down, water-logged, on both sides of his balding head. he looked like a reject version of Rocky's brother, Paulie.

"Hey kid, what the hell ya doin' up there?"

Smiling to myself. Hey! He hadn't seen me! "Just looking, mister" I said.

"Yeah, well shouldn't you be in school? It's freaking' rainin! You crazy? Get outta here."

He was fishing in his pocket. I could her keys rattling and jingling.

I ran down the ramp and across the alley to the cafe. Bustling through the door and plopping myself down on the bar stool, I got stared at, wide-eyed, by the waitress with orange lipstick and matching hair. I was the only customer there. The waitress asked if I wanted anything. I said I wanted the fish and chips plate and a coffee.

I hadn't eaten school food in months and saved my money for such excursions... when I could get them. I loved the fish and chips here. I never remembered the name of the place, but it was right next door to the Merry-Go-Round, facing the Great Highway. It had a wonderful dining bar with red, marbleized upholstered stools that were bolted down to the floor. A bank of windows lined the west wall so you could watch people and cars go by. On the outside around the roof line, the cafe was decorated by a facade of little, tiny cottages, each one different from the other.

The waitress brought my coffee and a small little pot of real cream. Honest! Real, thick sweet cream! I emptied it and dumped two teaspoons of sugar in my coffee. The steam felt wonderful in my face as did the heat of the mug on my hands. I love coffee, but days like this made it extra special. I laughed, again attracting another stare from the waitress. She came over, leaned on the counter....

"Ok, what's your story?" she blew a small, cracking bubble from between her orange lips.

I told her I'd skipped school and that I had thought it was really funny to eat my last meal here before going home and getting killed by my grandmother. She grinned and said she's done about the same a few times. I didn't mention my escapade in the fun house. She turned to the fry cook station behind her and grabbed the plate holding my lunch. I remember the taste of that meal to this day, the odor of the fries and the crispy-light, buttery flavor of the breading on the fish. The tartar sauce was thick with pickles and absolutely perfect. From that time since, I have loved a squeeze of fresh lemon on my fish.

I could go on about the trip home on the No. 18 Sloat bus, transferring to the No. 28 at 19th and Sloat, with the final transfer to the No. 14 at Mission and Geneva to the top of the hill. There isn't really any point, except to say that it was dark and rained the whole way, dulling my former excitement with dread of what I would find awaiting me at home.

When I finally walked down the hill on San Barbara Avenue and up the stairs to our cottage in the back of the Knight's House, I noticed that it was dark inside. Grandma commented that I was home a little late, then said the power had been out all day.

Late?

She said Mrs. Knight had come home from West Portal Lutheran (coincidentally the same school I attended) about 11:30. She had picked up her son, Chris. She had told my Grandma that the power had been out at the school for hours. They finally let the kids out at 11. It was now 1:30 in the afternoon. The bus trip usually took about an hour from school to the top of the hill.

It dawned on me then..... Grandma didn't know. They had never called her for some reason. Back then, a blackout still left you with telephone service. I guess they had their hands full with keeping the kids in line...all Kindergarten through 9th Grades!

That year, 1969, we had watched from our cottage, houses slide down the hills in Broadmore due to the extensive rain. The rain had undermined all sorts of places within and outside of the Bay area. The City was a mess.

It turned out that I had played hooky the first day of series of big Holiday storms we were going to have that year. Cars and buses had gotten stranded. Flooded streets backed up with debris and choked with rainwater. In some spots the sewers had backed up. Parents were warned not to let their little darlings stomp around in their galoshes out in the gutters and puddles. In the worst cases, like Broadmore, people watched their cliff side houses slip into the ocean.

I had been really lucky. I never gotten caught either playing hooky or trespassing that day. I have to admit that I felt bad about trespassing. I didn't vandalize or steal anything, other than some really great memories I took away with me. I had just wanted to look, unmolested at a place that even at that time, I knew was a museum piece...a fading part of Americana.

The old fun house is gone, torn down with the rest of Playland-at-the-Beach in September of 1972, but I will never forget my couple of hours alone in the fun house and the ghosts of Walking Charlies and Laughing Sal.